![]() Ein Weiterer Stein In Der Wand (End Of Days Mix) Beats Working For A Living (For Martin)ĩ. Prince (The Final Wheelie) (Introducing Katie-Mason)Ĩ. Neon grooves, huge monophonic basslines and all of the heart of the debut. ![]() ![]() It's a heady combination that really captured our attention on the self-titled debut but goes even further this time. STAFF COMMENTS Barry says: ITOP return with their newest LP of thumping basslines, sparkling arpeggios and stone-cold groove. (The Tower) I wonder if Meghan and Harry heard our early demo? I like that we have a disco song about fillicide commited by the Queen. Dean Honer who mixed the album and who has worked with everyone from Jarvis Cocker to Britney Spears said: We wanted the record and live shows to go hand in hand, bringing the spectators more into becoming part of the performance. We decided to go deeper into the club realm. Katie & Leonore have been friends since primary school so you can’t fake that dynamic, it’s unbreakable). We recorded it all and produced it all ourselves at Dean’s Bowling green studio in Sheffield, it’s the best thing we’ve done since the last thing we did, which I know sounds unbelievable, but it really is! We also included Katie Mason on this record who sings live with us as a double pronged two headed front person with Leonore - and their voices together work like a harmonious dream. We wanted to capture that sweaty, hazy, manic, exciting mess in a song, that captures those halcyon days of Clubbing in Sheffield & Manchester, that moment the adrenaline kicks in and everyone in the room is your brother or sister.” Says ITOP founder Adrian Flanagan (The Moonlandingz/ Eccentronic Research Council/ Adult Entertainment). This is a song for our kind of freaks and miscreants and the incessant snobbery faced by them for liking good pop music, good disco, genre’s that on the surface might not be deemed cool, but actually save souls. It references Studio 54, Grace Jones & Bianca Jagger on a White Horse - but it’s mainly about clubs where we and our friends frequent like ‘Homoelectric in Manchester. Music chooses you and you just have to submit yourself to its peculiar yet tender headlock! ‘Don’t Diss the Disco’ is about that. It doesn’t discriminate, it doesn’t care about race, sexual preferences, religion or what side of the fence you are on politically. Music and dancing is one of the last great unifiers that we have. Listen To The Earthbeat/The Driving Force Gimme More Lovin (instrumental Muezzin Mix)ī3. To close then, Mr Richard Strange returns, invoking The Driving Force, returning to the idiosyncratic, percussive Earthbeat. Alias, Internationales Gerauschorchester offer wonderful jazz leanings for A Lulu A Bobe Danz, where the "bop" takes a leftfield embrace. Next the anthem, Yeh Naina Yaad Hai, as Asha Bhosle's beautiful vocals from the Manzil Manzil soundtrack, are mixed with drum machines to create a dream Bollywood meeting.Īgain side two features 3 songs and starts like EP 1 with Glynnis Thomas (Savage Progress) vocals, now atop a sax laden Synth Pop brain, mind and body dance. Starting with their own instrumental remix of Gimme Move Lovin', this little known 12" B side has long been a play for "heads" and allows the band's Pop Balearic, esoteric meets electronics to shine, layering Fairlight samples over a funky bass 4/4 around some '88 Amnesia pool dive. Centered around Ulrich Hornberg and Wolfgang Sperner, aka producers Gemini Brothers, this world "supergroup" released 5 LPs and 2 EPs in just 4 years.Īgain showcasing their rhythm, calm and power, a metaphysical, real sensitivity and intellectualism, all wrapped around the groove. Emotional Rescue presents the 2nd EP (of 4) highlighting the music of International Noise Orchestra.
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